The #eggsreport Art Show Digital Recap

If you missed the #eggsreport art show that opened the other weekend at Orchard, we have the special privilege of hosting this digital recap for anyone unable to make it out to the gallery. Below is Delaney's #eggsreport instagram compilation as well as our good friend Ian Browning's write up for the #eggsreport zine. We have also sprinkled in some of the photos that were contributed by Liam Annis, Ray Echevers, among others. If you would like to purchase a zine, they're selling for ten dollars with all proceeds going to any and all future Eggs maintanence. We'd like to thank everyone involved in making the show and the zine happen and if you like what you read, which you would only dislike if you actually could not read, be sure to follow Ian on his twitter @ibrowning for more of his work.

Skateboarding in cities is often defined as much by the spaces where it takes place as the tricks being done. From historic spots like the Brooklyn Banks to recent upstarts like MACBA, iconic spots are often synonymous with our perception of what skateboarding is like in other places.

Boston has some famous spots—people far from new england know Jerry Fowler’s yellow barrier by the library, and the Windows ledges are burned into skateboarding’s collective consciousness because of PJ Ladd. It’s also a place where you can walk past a virgin ledge that people haven’t bothered to wax because they’re too busy skating better ones. Casual observers may not know this, but it has always been a plaza city. Locals cherished Copley and later Aquarium in their heydays—meet up spots where you could film tricks or end the day skating flat, possibly sneaking a beer without much trouble.

In 2004 the state bulldozed a parking lot on Nashua Street as part of a plan to clean up urban blight from the Big Dig. With Aquarium unskateable before five almost entirely because of a cop known by the locals as The Samurai, sessions gravitated over to the West End. The fences had come down at Nashua Street Park—a pocket of green space nestled in no man’s land, bordered by a jail, a hospital and a bridge. A few ribbons of asphalt cut through the grass, flanked by long, knobbed, granite ledges and joined by a small plaza in the center.

Jonathan Bonner, a Rhode Island—based sculptor and artist, was commissioned to provide art for the park. Looking to add something that would bring texture and provide seating, he added a golden spiral reimagined in Chelmsford granite, also using the stone to make orbs that mimicked falling drops of liquid. “I wanted something relative to the water,” he explained, but John Wisdom felt like they looked more like eggs.


It’s difficult to say who introduced Eggs into the scene in Boston. The Zakim bridge offered vantage point that showed under construction, drawing the eyes of countless skateboarders. Most of the people I talked to didn’t have any idea who was the first to skate the spot, but Lee Berman and Dana Ericson both had theories, both originating in the North End.

“I would say Matt Thompson is definitely the first one to skate Eggs,” Berman said. Thompson, a Connecticut transplant studying at Suffolk, was in the habit of looking for mellow spots to skate in lieu of sharing Aquarium with a heavy crew of locals. “When I moved to the North End I started exploring other areas,” he said. “I was actually out with Lee one day and we came across Eggs. I had skated flatground in the past and I told him that the ground here was really sweet.” He also addressed Berman’s assertion that he was the first to skate there, saying that it was impossible to prove. “I would never claim that,” he said. “I have no idea who else was there.”

Dana Ericson recounted Travis Reitano, also a resident of the North End, telling him about a new spot: “He actually told me that he had found a spot better than Aquarium and I fucking laughed in his face.” Reitano was living in a skate house where Ed Driscoll was crashing on the couch. Driscoll “never wanted to take the fucking bus or train anywhere,” he said, “so we’d skate everywhere.” They were introduced to the spot on trips to and from the Charles River Benches, but he couldn’t be sure if he was the first person to actually skate the spot: “I don’t know. I’d say one of my earliest memories of Eggs is rolling through and trying to get a little tailslide in between the skate stoppers,” he said. “I give most of the credit to the Wisdom brothers because they actually took the knobs off.”

In those days Zander Taketomo was working on City People 2 and keeping a watchful eye for new spots to film. He had gotten word of the spot from his dad—an architect—and went on a night mission with Gavin Nolan, John Wisdom and Tommy Wisdom check it out. “All the knobs were still on and we took a couple off to test it,” he said. “Originally we took the ones off at the curved ledges that were closer to the hospital but not the main spot that people skate... After that, I feel like we didn’t really skate there all that much.” He also offered the only definitive claim about the early days of the spot: “I’m not personally taking any credit for the spot, but we were definitely the first people there that night to take knobs off.” They came back periodically, but at that time, Aquarium was still that crew’s go to spot.

Between word of mouth and its location in the middle of a skate route between downtown and the Back Bay, the park was starting to see action in spite of the knobs. Dan Zaslavsky shot the first skate photo at the spot during that era for Kevin Coakley’s One In A Million interview in Slap. Coakley was trying full cab manuals on the low ledges closest to the water, the only skateable ledges at the time. He got the trick, but it came at the expense of his board shooting out into the river. Some DCR workers in a boat offshore rescued it for him, but it was only a matter of time before skaters started throwing something else in the river—skate stoppers.

“It looked like it would be the greatest spot in the world if it didn’t have the knobs on it,” Justin Yaitanes said, “so went to try and take them off.” Yaitanes, CN and Tom Garafalo headed out, equipped with a crowbar, hammer and screwdriver one day around dusk. They got to work on taking knobs off of one of the benches by the JV ledge. “We’re hitting it with a hammer and having a crowbar there and you can hear it— it’s super loud,” CN said. “All the sudden we hear ‘HEY’ and we look back and see a cop and he’s booking it. And it’s a state patrolman and we start booking it and everyone runs their separate ways.” Yaitanes got away from the cops pretty easily, saying that it was pretty similar to getting kicked out for skating. It was also probably easy because the cops were chasing CN across the drawbridge to the Museum of Science.

“I hucked my crowbar in the river because I was thinking that if I got caught with it, it would be way worse,” he said. He hid behind a bush on the museum grounds, but it wasn’t long before flashlights crept up on him. Playing dumb, he explained that he had only run because they were chasing after him. “They took my name down and nothing happened. We came back and started skating it the following week.”

That crew only got one knob off, but it was the beginning of open season on liberating the rest of the ledges. The Wisdoms and Gavin Nolan were responsible for clearing off the main ledge up top after a session on one of the side of the out ledge. “We had a long day waxing [the ledge up] and shredding the ledge that no one skates because all the other ledges were knobbed. We were like, shit, we gotta get all these knobs off—this is gonna be our new spot,” Tommy said. “We came back later and took the knobs off of the main ledge on the top.” As news of the spot spread, so did the knowledge that it was possible to make the ledges skateable with a few swings of a hammer or the hanger of a truck. It’s tough to write a list of people who risked a confrontation with the state police to clear the ledges, both because of the sheer number of knobs removed and because some people didn’t want to go on record about doing so, but Pete Mahoney, Romek Rasenas and Brian List all deserve a mention for their efforts in the spot’s infancy.

The main ledge, approachable from both sides from smooth plaza granite, was heavily sessioned in the early days. “It wasn’t that long before people took off the first knobs,” Ray Echevers explained “but it was like like that for a while. The other ones didn’t come off [right away]. People just started really slowly.”

John Wisdom’s ollie from block to egg in CP2, probably the first trick filmed at the spot, went down around that time. “The ledges weren’t broken in,” he said, “so it wasn’t really a good spot yet.”

Gavin Nolan said the City People crew skated there in the early days, remembering a time when the bike path was new. “It wasn't as rough or beat up yet,” he said, “people were skating up top more and the ledges on the bike path a lot.” All the while, the scene at the park kept growing—something he said was inevitable. “I think it was just really obvious to anybody that it was one of the best places to skate in the city.”


Nashua Street Park was designed by Halvorson Design, a firm responsible for a handful of plazas around Boston. Some of them are knobbed or are otherwise unskateable, but they’ve also drawn the plans for the plaza around the Federal Reserve and the ledges over planters in the seaport. “Our firm is really good at three dimensional landform resolution, so i’d like that what we came up is very pleasing on all levels,” Cynthia Smith, the principal landscape architect behind the park, explained. She said the park was designed with the idea of maintaining a view of the river from Nashua street, while providing different levels for that the paths the run along the Charles. The ledges act as retaining walls, continuing the pathways cut out of the banks of the river. The bike path runs parallel to the main ledges, insulating them from people leisurely strolling on the path closest to the water. The plaza in the center connects the two, but is also fittingly designed as a place for people to sit and chill.

The skating was initially focused on the ledges up top in part because the granite took a lot to break in. “It was kind of a frustrating spot to skate at first. That main ledge was all that people would skate,” Devin Woelfel, better known as Waffle, explained. “You had to wax the shit out of them in order to make them grind at all.” As it started to really get broken in, some locals stashed a crowbar in a bush, making it even easier to continue deknobbing the spot. That crowbar cleared, amongst other ledges, both the home and away team benches, the downhill curved ledge and the JV ledge. People started gravitating away from chilling on the wooden benches between the main and downhill ledges, Dana said, eventually cementing the home bench as the place to put your keys and skate flat: “it just evolved into skating down there more.” Slowly but steadily, other ledges got worked in.

As the skating was moving to different ledges, word of the spot spread organically, bringing new skaters and likeminded crews. “We were all hanging out at True East and my friend Andrew Cuoco told me about this sick new spot,” Andrew “Squeaks” Whittier said. “I was kinda confused about where it was and what spot they were talking about, but when I went I realized that I had been there a year beforehand. All the knobs on it and I thought ‘shit, this would be the best spot in the world if it was skateable’ and then it ended up being skateable.” With Aquarium locked down, Eggs became the go spot to meet up. Squeaks mentioned seeing a lot of Aquarium heads like TC Mulhern, Coakley and Danny Carvalho in the early days, with locals like Waffle, the Wisdoms, Dana, Brian Delaney and Gavin establishing residency at the spot as well. “I just remember seeing John Wisdom and pretty much everyone that was skating for RAW, with Ray filming,” David Milliken said of his first trip to the spot.

Local videos like City People 2 made an impact across the northeast, bringing crews in from out of state. “All we really wanted to do in the early 2000s was skate flatground and ledges,” Armin Bachman said of the scene in Albany. He organized a trip to Boston to film for B Block: Hood Rules Apply, explaining that “Eggs was the main spot we wanted to come out for.” Footage from B Block turned Andrew Petillo, a Jersey-based filmer for Habitat onto the spot. Petillo brought Steve Durante, Fred Gall, Kerry Getz, Guru Khalsa and Ed Selego to Boston to film in 2007, fixing a few cracks around the main ledge with bondo and getting handful of clips. Some ended up in Origin, but others went to webclip that came out around the same time as PJ’s part in Plan B’s Superfuture. It’s impossible to say which came out first, but whichever one did, it’s likely the first footage of pros in the park.

Despite humble contributions to international skate media, the Eggs proved a fixture in local movies beyond CP2. From Subterranean to Shape Deuce, skaters and filmers from across New England were coming to the west end to leave their mark. All the while the locals were still learning new tricks and filming there, with the younger generation was getting involved: David Milliken filmed and edited most of Dana Ericson and Friends, including new heads like James Nickerson, Curt Daley, Squeaks, Thompson Bond and Kevin Coughlin in the mix.


Despite the almost universal appeal of a spot like Eggs to similarly minded subcultures, it’s rare to see BMXers or scooter kids roll up to the spot. “The meet up spots are usually the same for everyone. Copley, AQ and Harvard Square are the first to come to mind,” said Kevin Botsch, a long time member of the city’s BMX community. “I tell all the BMXers that ask about Eggs to not even bother. There are a million other flat ledge spots in the city, why go fuck with the skaters and their spot?” Tommy agreed with the sentiment that pegs should probably stay out of the park, and definitely off the ledges: “bikes, obviously, are a huge no no,” he said, acknowledging that strength in numbers is a major factor in enforcing that. “As soon as there were more of us [than them,] it was kind of the lay of the land.”

Besides a hard “skaters only” policy, locals otherwise foster a culture of respect over an established set of rules. Waffle, a transplant from Cape Cod himself, explained that there wasn’t much truth to rumors about locals vibing newcomers “Anyone that has actually spent two weeks there and paid respect to people that were there before them,” he said, “they’ll probably tell you everyone was cool.” The scene at Eggs is a far cry from famous spots of the ‘90s, where fights broke out at Love Park and EMB locals focused weekend warriors’ boards.

Liam Annis, a recent addition to the cast of regulars at Eggs, didn’t get vibed when he started skating there, “but you had to skate there a bunch to become used to the squad.” Going there on a consistent basis, he explained, you meet everyone else who is doing the same. In Boston’s tight knit scene, hometown heros come through on the weekends, often without acknowledgment from the locals. Respect is earned through the filter of time. Spot seekers, technical plaza skaters and heads doing circus tricks all share a common bond, formed by running into each other on the streets year after year. Mark Wagner, better known as Iceman, had just started skating ledges when he moved back to Beacon Hill and started going to Eggs every day. “I could do maybe 50-50s and boardslides,” he said. “One of the first people who started to say what up to me was Dana Ericson,” who Iceman had seen skating the Underground ramp when it was open. He quickly got to know Brian Delaney and Waffle too. “One day I just came with a giant candle,” he said, explaining that he was fascinated with wax around this time. “Waffle gave me the name Iceman and somehow it stuck.”

Plenty of the older heads who skate Eggs will tell you about the influence of the late ‘90s and early ‘00s and the impact that watching Pier 7 footage and Photosynthesis had on them. Because generations in skateboarding come in five year increments, a new generation of kids whose first exposure to Love Park may very well have come up on YouTube are skating the spot as well. Gavin, using Myles Underwood and Benny Tenner as examples, explained how the culture established by the first generation was making an impact on the youth: “It’s funny, they used to dress differently,” he said. “I came back and they had baggier pants—you could totally see that the spot had had an effect on them.”

Myles, whose introduction to the spot was in Zoo York’s State of Mind, first skated there at ten years old after going to the Dew Tour at the Boston Garden. He didn’t start skating there until a few years later, showing up alongside Lee Berman and getting used to the scene. Being with Berman gave him a bit of a pass so he didn’t feel uneasy showing up at first—“I wouldn’t say [I was] vibed out, but I was not as comfortable as I am now.” It took about a year for him to feel like a part of things—getting to know people that were well over 10 years older than him, like Ariel Pearl, in the process. He said that he still skates there “probably every day,” branching out on weekends. “I mostly just stay there,” he said. “You don’t have to hit anyone up— you can kinda just go and know everybody is going to be there. I just like to skate flat. It’s a cool meet up spot where everyone is.”

Almost all the Eggs locals interviewed mentioned the spot’s cast of regular characters as one of the it’s best aspects. Dave Milliken pointed out that in addition to “the same five people there all the time,” different crews were constantly rotating through—“there’s just always good vibes with people.” The scene isn’t solely comprised of skateboarders though. Back in the day lurkers would creep over after getting out of jail, but lately a street dweller named Bones has shown up a lot. Milliken and Mike Williams met Bones skating Copley back in the day, saying that he was always drinking vodka and always hyped on their skating. “He was always a mystery,” he said. “We just started seeing him at Eggs, just walking through and saying what’s up. Recently he’s been coming and hanging out for the session, just being the hype man.”

Outside of people quickly passing through on a jog or riding a bike, nothing else really going on besides skateboarding (and skateboarders hanging out.) New skaters are rolling through and becoming regulars, and some, like Nickodem Rudzinski and Brian Reid, are figuring out new ways to skate the spot.

Still, it seems like the rest of the city doesn’t know that the park even exists. Pedestrian traffic trickles through, but hasn’t increased much. The police don’t even seem to care. I was skating Eggs in 2012 and a state trooper said that “people are still calling [about skaters,] so I guess we’ve got to keep coming over,” shrugging his shoulders as if to acknowledge the frivolity kicking us out. Skaters romanticize Love Park for its “run, skate, chill” ethos, but the Philadelphia Police Department’s anti-skate vendetta isn’t shared by the Massachusetts State Troopers who patrol Eggs.


I’ve been trying to figure out what it says about skateboarding in Boston when, across the river from a monumental 400,000 square foot skatepark, there are 20 heads skating a spot that’s well over 50 times smaller. Skateboarding is full of stories about repurposing underutilized space—Eggs is more relevant for the culture that grew up around the spot. How many public spaces have their own fiercely-loyal users, regardless of the season? Squeaks recounted being at Eggs one frozen evening with Jonah Miller, Dion Grant and Waffle: “It was the dead of winter—one of the coldest nights I’ve been out skating. Waffle was bundled up with a sweat suit over his clothes—none of us could skate because it was so cold. He was just hauling ass. I think he learned back 180 fakie 5-0 half cabs on the ledge that night.” Is there a hallowed tennis court somewhere in Cambridge where people shovel snow in the dead of winter to get their fix of backhand serves? It seems doubtful.

There are so many different factions beneath the blanket of skateboarding. The skatepark, designed to be a destination for New England and beyond, is built to appeal to all of those different styles. Eggs will never be that—it’s an altar where inner city skaters worship the gods of style. Sure, skate tourists may roll through, but the majority of the people at the park are locals carrying a torch that used to burn at Copley and Aquarium.

When I asked Waffle what he liked most about the spot, he had trouble putting it all into words. “I’ve met my closest friends there,” he said. “I’ve been through a lot of shit there—I’ve seen so much shit go down there, not skate-wise but just in general with life’s dramas and friends and shit. People getting in trouble, people doing good, and people falling out of the scene and coming back. People always come back to Eggs.” He’s right. Any day it isn’t raining or covered in snow, you’ll find people skating flat near the JV ledge. They may or may not be regulars you know, but the home team bench will be covered in half full water bottles, cell phones, coffee cups and lighters, and there’s a pretty good chance that the session will last until it’s too dark to skate.

Words By: Ian Browning (@ibrowning)

Photos By: Ray Echevers, Liam Annis, and Alex Gagne.

Trivia Night Recap

Here is the brief recap of our second Skate Trivia Night, courtesy of Vans, Orchard, and Biddy Early's Pub. We'd like to thank everyone that came out, whether you participated or not, we appreciate you all trekking through the rain to nerd out and drink a little bit with us. Apple Tom and Matt Gannon's "93 'Til Infinity" Team were yet again the victors, taking home the top prize, but only by a mere one point. "Darkslide of the Moon" finished a close and honorable second, taking home a smaller prize, with less bragging rights. DAD Clothing provided the last place prize to Michael Chew and company, a gift bag featuring a Stone Cold Steve Austin piggy bank, a scratched and very used CKY DVD, and two sheets of Penny griptape. Honestly would have thrown the game had I known the Stone Cold piggy bank was up for grabs. Again, we appreciate every person that came out, all of our sponsors for providing the prizes/beer and of course, Biddy Early's Pub for being so down to host something like this, you guys are rad and we cannot thank you enough. We hope to see all you nerds again very soon!

-Staff

P.S. - Special thank you to Chew for the photos.

Public Service Announcement: Stop Using ‘Quick’

Despite existing in a world of instant gratification, skateboarding at its core, is one painful waiting game. Speaking as someone with a full time job, the simple task of finding time to skateboard in the first place can take all week to figure out.

This takes us to Saturday, the one day a week where most of your friends can find it in themselves to meet up and push around for a bit. After miraculously recovering from the hangover you damned yourself with to forget about how shitty your week was, you get the boys together by, and I’m being generous here, noon.

For the overly ambitious, you may even have a filmer with you. This requires spots to be picked out and tricks to be tried. All of this takes hours. By the time you’ve figured out which spot to hit, four of your friends have already dipped to start drinking again.

This leaves you, the filmer, and two other buddies who swear they aren’t drinking until 6pm. By the time you’re sweating your ass off, getting insecure about how long it’s going to take you before your other friends want to go somewhere else, it could be 3 o’clock. The skate day is practically at its halfway point, and nothing has even been ‘accomplished’ yet by your standards. ‘Why do I claim to love this thing?’

You eventually give up, or ‘take a break’ to sip on some of that Smart Water you can’t believe you remembered to buy before getting to the spot. As you sit down, removing your phone from your pocket to catch up on what you’ve missed from the Instagram’s endless feed, it happens…

‘Relearned a quick fun one today’ camera emoji: @saddestdudeout

‘Got this quick warmup line before the sesh today with the boys’ camera emoji: @dudewhoenviesthedead #skateforfun

‘Filmed this quick crazy one earlier before the cameras came out’ camera emoji: @futuresuicidevictim #igotlucky

‘Quick practice run before today’s comp.’ camera emoji @myauntshandle

More likely than not, the clips accompanying the examples above are top notch, part-worthy pieces of footage. AKA, everything that what you were just trying was not. As tough as it is to admit, these are images of success, precision, and superior ability. The ones posting said clips are almost always at least 5 years younger than you, and will likely end up kind of getting paid to skateboard one day. Good for them.

It’s not necessarily the clip itself that is frustrating about this phenomena. I watch Brandon Biebel insta clips religiously, and that shit does the 1,000% opposite of bumming me out.

The issue here is the god damn caption.

What does it say about someone when they use words like ‘fun one’, ‘crazy one’, or ‘quick’ to describe the clip?

‘Idunno man, give these kids a break. Maybe they really just were having fun, doing crazy things on their skateboards quickly and didn’t have a whole agenda behind everything to craft an image for themselves on instagram.’

WRONG. Let me translate for you:

‘Quick’ = This shit was easy for me. A total afterthought, and not worth my time whatsoever. It was just the warm up, but luckily the good homie was conveniently there to get a perfect angle in slowmo.

‘Fun One’ = Oh, I beeeen had this one in my repertoire. Shit is all day, baby. And since skateboarding is founded on the basis of fun (the argument that will be used to shit talk this article), I had to share that fun one on the gram with all my followers. Remember, inspire others to inspire themselves - to have fun :-).

‘Crazy One’ = You bust this disclaimer out when you’re fully aware of how kooky that new trick you just learned was, but are incapable of denying the amount of points the trick is worth on paper. Therefore, seeing as how it was caught on camera, you’re left with no choice but to post the footy straight to the gram.

‘Practice’ = Wow, you have a completely different outlook on skating than my friends and I who were out hitting on your girlfriend and her friends all night. Practice? Where’s your coach?

So what exactly just unfolded on your touchscreen? Although this grief could be solved with a simple unfollow, the behavior you have observed is inexplicably fascinating. Alas, you keep following, digging deeper and investigating.

Then it clicks.

The problem with instagramming your skateboarding this way is that while you are desperate for people to see what you’ve just done, you are very obviously pretending that you don’t want these people/your ‘fans’ to be excited about it. Yes, you really did just do that NBD on that perfect skatepark ledge, but downplaying your historical feat as if the uncharted territory you claimed is just the warm up is not fooling anyone.

The fact of the matter is that you tried that trick for 3 hours, bummed out a shit ton of kids with helmets who just wanted to learn 50-50’s, and DEFINITELY b-lined it from the park to the bar after you landed that trick to celebrate the accomplishment.

Long story short, you tried it and it was hard to do. What’s the problem with just saying that? What’s the point in disguising the professional-level quality of your skateboarding with terms like ‘quick’ and ‘warm up’, to make it seem like you’ve got something even crazier in store for us when the full part drops?

All of this brings me back to an interview with Mike York I remember reading many years ago. I forget the full context of his response, but he basically explained that he has always aimed for his video parts to be the most accurate representation of his abilities. In other words, what you see is what you get. So basically, the Mike York you see in Yeah Right is going to be just as impressive as the Mike York you see in person, ripping Pier 7.

When your instagram is a highlight reel of insane ‘quick little montages’, people are obviously going to expect that type of presentation when they see you at any spot anywhere after any amount of alcohol consumed the previous night. What those people usually encounter is a dude battling that same insane ledge combo, but for the entirety of the 3 hour session. And that’s just downright depressing.

There’s nothing wrong with a little bit of self promo. I’ll watch literally any piece of skateboard footage that appears in my instagram feed, because I know that either way it’ll all be over in 15 seconds. Just be mindful that no bullshit, the caption is equally as important as the accompanying video. And when in doubt, look at Biebel’s formula for guidance: scientific name of trick + filming credit. That’s it.

The moral of the story - time and time again, is that it’s not about what you do, it’s how you do it. Your dumb ass Instagram captions are no exception.

A Case Study: The Frontside Heelflip, Why Is This Trick So Damn Hard?

Ok so yesterday I was looking at this stupid ad realizing once again, that Ishod is everything I ever wanted to be in a skateboarder and I'm just, well...Me :^\

BUT THIS IS NOT A SADBOY ARTICLE. 

I realized something. I realized that the frontside heelflip is actually a really, really fucking hard trick. Have you ever tried a frontside heel? (yes, you have) Have you ever landed a good frontside heel? (probably not)

Note: We are talking about regular frontside heelflips for all of you out there saying "well, I have em switch". Yeah, you and the rest of the world, champ. 

So I was pondering, and I noticed that there are actually only a handful of people that I've seen do a really good frontside heelflip. Let's go through some of those examples. We'll start with possibly the most important one of all time, Clyde Singleton. 

That little tack at the end. :'^)

Clyde changed the game right here. Just a classic catch and turn. I could go on about this one, but if you know you know, and if you don't know, well your ass better call somebody

Moving right along. You know - for the next one I initially thought about the one he does over the rail into the bank in Can't Stop - but then I remembered that Ray actually does an ODE TO CLYDE. Man this is really just tying itself together nicely. 

I love this one so much. I know you can't see his face in this pixelated gif, but I like to imagine that he has a huge smile on his face as he roasted this bad boy. Really, a beautiful example right here.

I actually like to think that all of my favorites are secretly best friends and go to the movies and stuff on Sundays. Is that weird?

Anyway - the next one is equally important, but for different reasons. Ladies and gents, Louie.

The insane thing about Louie's is that he doesn't do the catch and pivot, it's all one fucking motion. He lands on the tail, guys (and girls). It's not even scooped like a varial heel. It actually makes no damn sense at all, and shouldn't really work, to be honest. 

So you're probably saying "here goes Smltalk again, only talking about stuff from 10+ years ago, what's next a PJ reference?". 

You're damn right. PJ did a frontside 360 heelflip, and we can't not talk about it. I'm sorry, you're just going to have to deal with it. 

Take it in. 

This doesn't mean that there aren't any modern pros out there...Team Handsome seems to account for a large percentage of modern regular frontside heelflips.

Austyn and Dylan roast fs heels all day, and probably fs heel all night right into a pool of hot chicks. Good for them. 

This is where we at Smltalk took out the scalpel and really dissected the trick, and it's place in modern skateboarding. Dylan and Austyn are not ordinary skateboarders, they are two of the best. In fact - it seems that the only skateboarders doing frontside heels are ones that are very skilled, because this trick is, as stated earlier, incredibly difficult. 

People all over the world are doing insane tricks every day, grinding longer, going faster, and just doing generally more difficult, complicated things. In a recent Mini Top 5's, Carroll was asked what tricks should go back to being referred to by their original names. Observe number four on his list:

Hardflip—frontside varial flip. Shit ain’t hard anymore

Our point here is that everything has been mastered, so tricks that are secretly easy (e.g. varial flips) regain popularity because handsome individuals with cool clothes bring them back. But something has been left behind folks, and I think you know what it is by now. So let's do this:

CONCLUSION

IF: Hardflips are no longer hard, and Frontside Heelflips are actually INSANELY hard.

THEN: The name hardflip is incorrect.

SO: We are now renaming Frontside Heelpflips "Hardflips" going forward. You can call the trick formerly known as "hardflip" whatever you want. We don't care. 

The end.

Note: This is not a comprehensive list of all great fs heelflippers, we'd like to note Wu Welsh has an exquisite frontside heelflip @ Three Up Three Down in SF, and even Mr. Eric Koston will tell you this trick is hard as fuck (but he can still do them really, really well).

Guest Post: Anthony Pappalardo - An Existential Crisis and Gino Iannucci

"At age 20, we worry about what others think of us. At 40, we don't care what they think of us. At 60, we discover they haven't been thinking of us at all." - Ann Landers

There’s no parallel between Gino Iannucci and the Chicago Sun-Times advice columnist Ann Landers, but as I enter the advanced age of 40, the pen name’s quote gives me feelings. When you’re old and a bit hungover, anything can trigger a melancholy miasmic jab to your gut. A crushed milk carton, finding a phone number in a coat you haven’t worn in years, the lint and sand, wedged behind an old sticker you’ve never stuck anywhere, and of course Gino Iannucci: Male Model. Wait, what? Yes, back in February Iannucci surfaced in some dapper Eidos Napoli gear, designed by designer Antonio Ciongoli who confirmed to me via email that he pushes switch mongo. Strange, but worth an Insta follow.

In the passing months, Iannucci has appeared in my feed in various sweaters, coats, hats, and other age-appropriate things, eliciting a neurological reaction from my 40-year-old brain that reminds me of my mortality and the fact that there is life after youth, but it’s a very different existence. I do not get these emotions when I see a member of Team Handsome juxtaposed against a model with skin made of cream, wearing designer clothes, while making a pensive face. No. Eli Reed? Never. Nor does this bit of sadness enter my non-existent soul when I see Mango wearing this multi-brand, norm fit in Vogue. It’s just different, man.

These are young folks, being young. They make us hopeful and we envy their talents. These boys will continue to evolve, devolve, go sober, fall off the wagon, get married, divorced, injured, learn, be stubborn, and all kinds of other shit. They are not from Long Island. They are not 42-years-old. They have style, but they do not yet have the creases in their faces that read “life.” Gino has that lifestyle, a forever icon, constantly making you gaze into photographs, wondering where he got his footwear, what outlet mall he ravaged for his Nautica gear, just how long your braided leather belt should hang, and if you could possibly pull off a sweater vest. No, you can’t, BTW.

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Yes, Gino Iannucci in a $325 wool cardigan will occasionally send me into an existential crisis. I don’t do epiphanies or succumb to depression, but the thought of the heroes of my youth—the Carrolls, Howards, Breneses (is that a thing?), Kalises, Marianos—will soon stiffen up, and roll slowly towards the latter half of their life. Memories will get dull, hair thin, as they begin to resemble a skit they once filmed in their primes. Of course, being close in age turns the lens towards myself. I was not blessed with the sprawling finesse of Gino Iannucci, the origami-like hand posture of Michael Carroll, or the fleet-footed, boundless ability of Guy Anthony Mariano. My transition might be to actual transition—the old guy at the park, a bit doughy, scratching out a pivot to fakie, making the youngsters cringe, hoping they won’t have to call 911 if I snap a bone. No matter how many Tired edits Thrasher posts, I would rather pursue the romantic route Iannucci’s navigating, instead of plomping around on a football shaped skateboard, sloppily stepping off my board, before lurching a foot back on, thinking my No Comply was as graceful as Ray Barbee… well, at least not on video.

Losing your physical ability as an older person is scary and that crushing fear is even more toxic in a skateboarder. The foam roller, that extra 18 minutes of stretching before a session, the additional two weeks every ankle roll needs to heal. Pro, flow, or regular joe/josie, we lose tricks, but never the feeling.

I often take a walk to clear my head, during these confusing moments, yet find myself even more introspective, as I pace the industrial streets of Greenpoint, that brush against East Williamsburg. I think of my neighbor, also named Anthony Pappalardo, still in his 30s, envious of how much life is left in his knees, jealous of all that he’s accomplished, and wishing could have logged just one minute of footage as good any of his full parts, knowing that even at my peak physical condition, it wasn’t a reality or possibility.

And the boys whizzing through the streets of Brooklyn, logging footage for a webclip called “Rind,” “Squelch,” or “Dollar Slice.” The glut of European decks, neatly stacked at the Theories of Atlantis warehouse, a few blocks away, that I’ll never skate. The brown marble ledge I slowly lose the ability to ollie up to, convincing myself a slappy noseslide is an acceptable replacement for a Welshian ollie up and pop out. Sad. I won’t lie, that shit is depressing.

Mariano, Iannucci, and myself are Italian Americans, and to paraphrase/butcher what Reda once said in an episode of Epicly Later’d, “Who do you think Brayden gets along with better on Baker? Terry Kennedy or Ellington? He gets along with both, but he relates to Ellington more.” The takeaway is that I have an affinity for all Italian American skaters of my era, and secretly wonder if Carroll is part Pisano himself, since we both share a striking, Roman nose.

Us Eyetalians are prone to heart disease and other health problems, due to our heritage and bloodline. As the space between Snuff and my next milestone grows further, I’m reminded that I’m running out of birthdays, and more tragically, running out of Iannuccian Pushes to fawn over.

I’ve always said that one of the highest plateaus a human being can reach, is doing something so poetic, so poignant, so magnanimous, that your achievement becomes a cliché. Hyperbole so commonly used in our diction, yet it doesn’t diminish the accomplishment, but rather it crystallizes it in the culture.

So, here stands this deity of New York Cool. The patron saint of quality over quantity, brimming with so much confidence, that he’d make a young Steve McQueen self conscious, now means something different to a fellow skater, just a few years younger, embarking on the next part of life.

But the flame has not dimmed. There’s a flicker, in both those little sparks of footage, sprinkled upon us from the heavens and his residence on a #smallbrand that’s both fucking awesome and Fucking Awesome. Stoic, solemn, he faces what we fear and leads in ways that will always make other jealous.

The Sean Connery of skateboarding, by way of Italy, kinda.

I’d rather watch Gino push than get old.

Malden Skatepark DIY Fundraiser Recap

So sorry for the delay with this. A few weeks back, we were asked to help with the Malden Skatepark DIY Fundraiser, a contest and fundraiser hosted by the Malden Skatepark Coalition, Melissa Clark, and yours truly. Comparitively, our job was pretty minimal. Dave Begonis, Melissa, and a handful locals put in a tremendous amount of work helping set up tents with food, raffle tickets, product for sale, and a DJ (sadly, he was not ollied, s/o to J. Kasper though). We have so many people to thank, first and foremost, we'd like to thank every person who came out for the event, whether it was to help, participate in the contest, or just sit around and shoot the shit, your presence was greatly appreciated. My goal was to get everyone who came something, so I'm very sorry if anyone left the park empty-handed, we were very grateful for every person who just showed up.

Again we'd like to thank Melissa and Dave for all of their incredible hard work in putting this thing together. A very special thank you to Vans, Patriot, Orchard, Cornerstore, RAW, and Pete's Pigs, who provided an incredible amount of product for us to give away. When the dust settled, we were able to raise almost $2,000 for maintenance and upgrades for the park, we could not be more humbled by your donations, big or small. We'll leave some of the photos (courtesy of Mike Tucker) below, with the rest on our Facebook page if you'd like to post them yourself and show your friends how hard you ripped (sat). The video recap (courtesy of Jesse Ciulla) is below as well, a special thank you to him for filming for us that day. Again, thank you all, we'll see you next year!

 Baby Dave, holding down the registration tent.

Baby Dave, holding down the registration tent.

 THE PEANUT GALLERY

THE PEANUT GALLERY

 Called for the 360 flip, this dude had it done less than a minute later.

Called for the 360 flip, this dude had it done less than a minute later.

 Chris Roberts would be proud, dude.

Chris Roberts would be proud, dude.

 Fuck it, why not?

Fuck it, why not?

 Donny didn't skate in the contest, just ollied the whole thing 'cause he was bored.

Donny didn't skate in the contest, just ollied the whole thing 'cause he was bored.

 This dude fucked the picnic table up all day, frontside bluntslide

This dude fucked the picnic table up all day, frontside bluntslide

 ALL IS FAIR IN LOVE AND PARK RACE

ALL IS FAIR IN LOVE AND PARK RACE

 Product toss craze.

Product toss craze.

Skateboarding in the Olympics: A Call for Indifference

The many media outlets have been saying a lot about our little thing getting mixed up in the Olympics sometime soon. You see it on almost every major website, magazines usually run an op-ed article or two about it, big name professionals weigh in on it, both for and against, etc. I’ve noticed, particularly in the blogosphere, that any article written about this sensitive subject seems to cause quite a stir. There are some who fully support skateboarding’s inclusion in the World Games - it is, after all, a global activity and there are many who would love to see their native countries represented for not only their talents in track and field, but skateboarding as well. It’s also worth noting that the wealth of unrecognized talent outside of the United States is staggering; Canada and Brazil alone could sweep that shit in multiple categories (Pedros Barros for transition gold, easy). *

I think I’m already getting ahead of myself here. You, dear reader, are probably snickering at your computer screen right now. You’ve probably already stopped reading this and have begun commenting mean things about how core you are and how the Olympics can fuck off, etc. If you know me personally, you’ve probably started a text with a ton of angry emojis. Please, if you can, please hold out a little bit longer. We’re only just starting here.

Now I can understand some of the backlash that comes with a topic like this, major change in skateboarding is not without some harsh criticism, especially when it comes to categorizing skateboarding as a “sport”. But I ask, how long did it take before no one cared about Nike coming back? Despite all of Consolidated’s best efforts, the Swoosh prevailed, and that didn’t really seem to bother anyone. It’s like the human race’s relationship with Drake: we used to hate him, we used to cringe at every punch line he’d croon and yet, somewhere, sometime, we just decided that it was actually ok to like the dude. We certainly haven’t forgotten that we hated him, but accepting him hasn’t destroyed our street credibility (we had none to begin with, but we didn’t lose any). My point is that once something is normalized in skateboarding, anyone against it will either just accept it or reach a point of indifference. Regardless of where you stand, the vocalized hatred of that thing will cease. If we get to the Olympics, it will only be a matter of time before Thrasher has live streaming coverage of it, because despite all that Thrasher stands for, they gotta sell magazines, and sooner or later people are going to want them to weigh in. Sad, but true.

Personally, I don’t support skateboarding in the Olympics at all. But this little rant isn’t about whether we are for or against it. It’s about indifference. Instead of trying to stand on a soap box of right or wrong on this topic, I’m offering a shrug (¯_(ツ)_/¯, if you will.)

Here’s how I feel: what could the Olympics do to skateboarding, and subsequently, do to ruin skateboarding, that hasn’t already been done? I don’t see how the inclusion of skateboarding in the Olympics means anything to the state of “real” skateboarding. To me it seems like it’d just be another contest that would come up every four years...barely noticeable in comparison to how many times Street League blows up my fucking explore page on Instagram every few months or so. And honestly, dudes that are committed to Street League have a way gnarlier schedule than a pro skater looking to compete in the Olympics. You could have a full video part under your belt in a real video (real videos average timeline 4-6 years) and go off and do the Olympics worry free. I have no idea what the payout on winning a gold medal in the Olympics would be compared to SL, but I can imagine that endorsements from Subway post gold medal win would allow you to live quite comfortably.

To me, the “Skateboarding in Olympics” convo/blog articles could do without the doomsday sentiments, the idea that our thing being officially classified as sport would cause some type of core implosion. The people this actually affects are a tiny percentage of skateboarders across the globe, i.e. the ones that would be willing to participate in it. It is highly unlikely that skateboarding’s core values, if they still exist, would be jeopardized at all. Would Brad Cromer disappear off the face of the earth? Would Skate Jawn stop printing issues? Would Ishod stop putting out 15 parts a year? Probably not. I mean honestly, what’s the difference between the mega ramp and a huge ski jump? Yes, materials/danger/Danny Way, but other than that they’re pretty much on the same pedestal entertainment-wise. It’d just be another contest, with another batch of energy drink logos being worn all over so-and-so’s body, another slew of redundant and not funny contest commentary, topped with arbitrary scoring that I will never fully understand. Sounds like something that already exists, huh?

So the next time you see an opportunity to jump in the fray of ignorant comments about skateboarding belonging/not belonging in the Olympics, just remember that it probably is going to happen whether you like it or not, but how it could ever make itself unique to skateboarding’s current contest circus is unclear. You don’t want to see skateboarding in the Olympics? Shut the t.v. off and go skate outside. Problem solved.

*Images taken from Google and stuff :)

The Varial Flip, Revisited

It’s no secret that the varial flip, like the no-comply, has found a new acceptance in the #current world of skateboarding today. Even when QS decided it was worth appreciating two years ago, there was still a hesitation in accepting it with such open arms. How did we get where we are today? Was it Sebo Walker? He’s varial flipped high and low, and even with griptape that looks closer to Joseph’s Technicolor Dreamcoat, it’s rare to hear even the corest of #core skaters gripe about his gear/trick selection. Hmm, I don't know, varial flip acceptance is a little bit older than young Sebo.

Well maybe it was the members of New York’s Most Productive Crew™ ?

An affinity for trick selection and style, it wouldn’t be a stretch to say that their refined varial flip implementation has eased up judgement of the trick, especially given the high amount of coverage we’ve seen from those dudes lately (always open to more, btw)

Or could it have been the Fancy Lads, who paid homage to the once shamed trick in their "avant-gnar" style?

Perhaps Sir Stevie Williams inspired the Dirty Ghetto generation to varial flip with their heads held high? They already heart the haters, certainly they could withstand a few jabs about a little varial flip, couldn't they? I don’t know, man.

Despite these potential leads, it’s still totally unclear to me when it became cool again...but I’ll say this much: I’m really glad it’s back.

You see, it wasn’t so long ago that a young Kevin Romar was trying to make a name for himself at Thrasher’s Battle at the ‘Berg. A spry young fellow, Kevin began hucking himself into the mix by lofting varial flips down the infamous San Francisco behemoth. Upon doing so, he was vehemently booed, and even publicly shamed by the Phelper himself. Funny that this was such a dark time for the varial flip, it doesn’t seem like it was all that long ago, but seven years in skateboard time can feel like an eternity. A lot can change in seven years...people can change.

Now I don’t necessarily feel bad for Kevin Romar, I’ve never thought much of his skating (sorry Kevin, nothing personal) but I’d be lying if I didn’t think the man had a good varial flip. For him to have been booed at the Wallenberg contest isn’t because he was doing it gross: it’s because the varial flip paradigm hadn’t yet shifted. That was 2009. What happened to us? When did our groupthink go from boos to cheers? Where is this article going?

Well, it’s going back. Back to a time when the varial flip still caused a sour comment in a game of SKATE, or an "ah, yuck" when watching so-and-so’s new part...I'm talking about 2003. We were over a decade away from varial flip acceptance and despite a wealth of anti-varial flip sentiment, there was one v-flip that seemed to sneak right under our hateful noses. A varial flip executed so well, that the seemingly impossible plight of skateboarders who regularly seek flip trick perfection was, for but a moment, achieved. While everybody talks about the hardflip, the frontside flip, the backside smith grind...I’d like to talk about Mike Carroll’s varial flip in Yeah Right!. Yes, I know. Another skate blog talking about Mike Carroll, AGAIN. Please stop rolling your eyes, and listen as I set the scene.

He switch flips up, he turns around, and then it happens. He unleashes the most out of this world varial flip skateboarding had ever seen. When this part came out, I was too young and ignorant to think that what I was watching wasn’t as significant as I clearly see now. The speed, the back foot, the flick...guys, it’s actually perfect. I’m not undermining what happens after the varial flip either - he backside smith grinds the fucking shit out of that rail - only the way that Carroll can, of course. I just feel like watching his part again, I saw something I hadn’t seen before. I felt like Seinfeld, entranced by the power of the black and white cookie.

If people could have just looked to that varial flip, would we have ever been so critical of its place in skateboarding? We would have still been critical, as we should always be, of this thing that we keep so near and dear to our hearts...but that varial flip could have solved wars, man, that thing was beautiful.

What am I saying here? What does this all mean? Why have I spent so much of my life thinking about a dude looking really cool in cargo pants? Why am I asking so many questions in this article? Maybe because anyone that’s been skateboarding for a long time, and specifically those who have accepted that this will not be a career of any sort, live for the little things that make this hobby of ours so great. It’s not how about big the handrail is, or if the trick is ABD at that spot, but about how cool Reynolds throws down his board, Cardiel's hands after the noseblunt, Julien's backside powerslide, or how insanely good Mike Carroll can varial flip. He took something that would make people cringe and turned it into fucking art. You think it’s a coincidence that every skateboarder names like the same three people in their all time top fives? (Cardiel, Heath, Carroll, etc.) No, skate blogs will never get over Carroll so long as skateboarding still takes place on four wheels. Who gives a shit about anything else, style matters and that's the only constant skateboarding will ever know.

And next time you think a trick looks stupid, see if Carroll did it...trust me, he did.

DISCLAIMER: After explaining to my roommate what I was writing about, he very casually said "Oh, you must have saw that new Skateline." Confused, I went over to the Thrasher site and low and behold the latest Skateline is partly dedicated to the topic discussed above. Now I really like Gary's show a lot, in no way do I mean disrespect, but this piece has nothing to do with Skateline...HOWEVER, I did re-watch Carroll's part the other day because Thrasher posted it to the "Classics" section, so yes, in a way Thrasher is part of the reason why this got written, just please don't think I was piggybacking Gary's segment on varial flips...great minds just think alike ok? :

Public Service Announcement: The Worst Release-to-Thrasher Video Part Titles

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Somewhere between snapchats of your drunk friend ollieing the Kenny Hughes gap and $12.99 iTunes downloads of Dwindle distribution full lengths rests the ‘Release-to-Thrasher’ video part. In terms of visibility and reach, the Thrasher part gives the skater the prime-time spot, and to have one of these nowadays is almost like being a contestant on America’s Got Talent that made it to the next round. Everyone gets to see your part for that day, but next week there’s a whole other round of contestants to replace you. I think the first straight to Thrasher part I remember seeing was Torey Pudwill’s Big Bang, released in 2011. Back then, four insanely long years ago, this was a much more distinct, elite honor. Not everyone was getting one...until actually everyone was getting one. There was a short-lived level of excitement that came with these weekly releases. Micro-hype, you could call it. Naturally however, it all became a bit overwhelming, oversaturated, and down right discouraging.

Allow us to elaborate.

First of all, these parts regularly have intros and credits sections. INTROS, and CREDITS for a 3 minute video part. And don’t worry, you better believe this includes a thank-you’s section, too...Sort of like those things we used to call skate videos. Anyhow, I’d like to make it perfectly clear that under no circumstances should a 3-minute video part warrant it’s own thank you’s, as well as language leading you to believe that the filmer did anything besides just that, i.e. directing or ‘producing’. Unless you’re trying to lie on a resume by claiming you’ve done directing work, there’s no point in putting that out there.

None of the above mentioned atrocities soiling skate media’s current state of affairs can even hold a candle to this article’s major pain-point, however. I’m talking, of course, about the actual titles given to these god damn video parts. This essential ingredient is by far the most appalling, cringeworthy, and shameful piece of the recipe.

After much internal dialogue and many sleepless nights spent pondering all that has become of our beloved pastime, we here at SMLtalk have decided there was only one necessary course of action to try and prevent this from ever happening again: publicly shaming these bastards.

Sean Conover’s “Thin Lips and Ginger Snaps” part

thin lips and ginger snaps

This was the inspiration for all that you see before you today. The straw that broke the camel’s back. The acid tab that ruined GG Allin’s life. You'll notice a recurring theme for these parts is that they all seem to reference some sort of inside joke between the subject at hand and their five or so cronies. Guess what though? Not a single other person in the country got the memo.

Kyle Frederick’s “12 O Clock Karl” part

What’s going on here? Are we on lunch break? Is this Thrasher trying to say high noon is the perfect viewing time for this piece of media on their site? I hope I receive answers to none of these questions because I don’t want the type of closure that comes with knowing how Thrasher part titles are devised.

Denny Pham’s “It’s a Phamtastic World” part

phamtastic world

I really do feel bad for him on this one. I suppose it could have been worse - the overlords at Thrasher could have suggested a Denny’s themed title. Though come to think of it, that would have been a much better option. Okay, I take it back, they did in fact pick the worst possible option for his video title...

Here's how I pictured it going down:

“Phamtastic??? You really gonna do me like that, Thrasher???” - Denny Pham

“Lmao you betcha!” - Thrasher Magazine

“:’-(“ - DP

“:-)” - TM

Fin.

Ben Raybourn, “The Raybourn Identity” Part

Get it?  It’s like the Matt Damon movies where he’s a spy but he forgets a bunch of stuff? He kills a dude with a piece of paper? See the connection now? No? Oh, it has absolutely NOTHING to do with the movie besides the sort of similar names in the title (RayBOURN, BOURNE)? I wonder how many people this title ran through before being approved and posted on the site. “OH MY GOD, DID YOU SEE TODD’S TITLE FOR RAYBOURN’S NEW PART? SHIT IS FUEGO, BRO! NAH, NAH IT DOESN’T HAVE ANYTHING TO DO WITH THE MOVIE, IT’S JUST LIKE THE NAMES ARE SIMILAR. YA, HE’S GETTING PROMOTED, FOR SURE!”

Jaws, “Criddler on the Roof” Part

jaws cirddler

It took me a while to write anything for this because I was way too busy chuckling at how fricken clever this title is. Have you guys ever heard of this book? It’s called the Fiddler on the Roof. Well, it’s actually a play. At least I think it is, I’ve never read it (books are for virgins, duh). Anyway, Thrasher did this super crazy thing: they took all of Jaw’s roof footage, and they made it into like one video, and then they named it after the play/book/thing I’ve never read, but they changed the word “Fiddler” to “Criddler” because Jaws is like a small animal or a “critter”. Funny, right? No? Guys? Hello?? :(

Rob/Bert Wooten, “Name Changer” Part

bert yary

Up there with athletes like Chad Johnson and Ron Artest, we have the skateboarder formerly known as Bert Wooton. From what I understand, this dude got fed up with being called Bert and decided a video part was the only way to finally set the record straight that he preferred the simpler, less Sesame-Street-esque iteration of his given name, Robert. To be perfectly honest though, Bert Yary is the only name change that could have ever justified its own video part title.

Eli Williams “MALLGRABTOMONGO” Part

Please don’t make me explain this any further. Do you see the point here? The fact of the matter is that they're all awful titles. Just take a look at the link below and see for yourself. We could have just as easily farted out an entirely different list with 100+ other video part titles pulled from this YouTube channel. But we didn't, because no one should have to experience pain like that at any point in their lifetime.

https://www.youtube.com/playlist?list=PL7V-xVyJYY3c8bgxXzWisdJrHfclEoorr

Besides a good laugh, what can we take away from all this? Honestly, being jaded about modern/online-only video parts is a very tired subject. For the mid twenty somethings and up it is a non-stop bitch, cry, and moan festival about the way things used to be. That being said, (sorry Larry David) videos like Tincan Folklore, Photosynthesis, Second Hand Smoke, and even Mouse may seem like silly titles for a 30 minute video of “skateboarding stunts set to music”, but those who have been invested in our culture for a long time know better than that. Even for something as abstract as Barbarians at the Gate, the meaning seems to reveal itself only after the whole piece has been explored...something that would be impossible to achieve in only 2-4 minutes.

It’s hard to look at skate videos with an artistic lens when they’ve been condensed to short, single parts, only to appear on the Thrasher site for a few days (which is literally minutes in skateboard industry time). Somehow the abstract content in a skate video means less when the video is sponsored by Monster Energy Drink and Whey Protein, while also forcing you to watch a terribly produced commercial about a new product gimmick. Thrasher’s not stupid, they need to make money and skateboard companies benefit from this flash advertising too. Your basic Thrasher video part promotion trajectory is thus: Man of the Week gets a Hall of Meat, Firing Line, you get “The Part”, (if you can afford it, you can pay for a banner on the side of the site for a couple days) and then you are immediately pushed to the “Older” page. But maybe, just maybe, if you name your part something lame enough, you’ll be forever immortalized here, with us. :)

Sean Pablo and the One-Down™: A Case Study

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We live in a world of one-ups. One-upped at work when Chad got there earlier than you, one-upped at the bar when Sylvester orders a more expensive drink than you, and one-upped in skating when someone half your age makes it look like you've never stepped on a board in your life. Let's just say that if you kickflip a gap, you can rest assured that by the time you wake up somebody has already posted their switch, 'third try warm up fun one' on Instagram. But don’t let this get you down. SMLTalk has discovered that we no longer have to worry about any of these issues, and are free to go on as we please without regard. You may be saying, “but how? How could this be true?” or, “What does this even mean?” or, “You’re an idiot, get me back to The Berrics”.

Well, hold on, let’s take a moment and review some recent events that lead us to believe that one-upping is a thing of the past, and thanks to Sean Pablo, we are now able to simply One-Down™.


Exhibit A:

Danny Renaud, ‘Mosaic’, (Castrucci/Strobeck, 2003)

In 2003, Habitat released ‘Mosaic’. A classic video with some of skateboarding’s biggest names for the time. From Pluhowski to Janoski to Getz to Garcia, the video covered a good amount of skateboarding with a certain style-focused aesthetic. Castrucci was the perfect person to direct it, and having Strobeck on board filming a good amount of the video certainly didn’t hurt. Danny Renaud was somewhat a new jack around this time, and when he dropped this part (partly thanks to Cymande's 'Crawshay' IMO) people knew his name. Renaud’s style was on point, great trick selection, and the hand drag on that nollie flip. You know what I’m talking about. But the trick I want to bring up is this backside 50-50.

Danny Renaud 50

LOOK AT THOSE IPATHS. *tear of joy*


Exhibit B:

Sean Pablo, ‘SICKNESS’, (Strobeck, 2015)

Cut to 12 years later. Wait, I’ve seen this spot somewhere before. It can’t be. Yes, it is, it’s the same rail that Danny Renaud back 50’d. I wonder what Sean Pablo’s got.

Sean Pablo boardslide

Boardslide.


Okay. So we have a few things to question:

A) Was this actually the same rail?

Yes

B) Is backside 50-50 definitely more difficult than backside boardslide?

Yes. Justification: Boardslides are the first trick that you learn on any flatbar; backside 50-50s will more likely than not smoke you on any rail.

C) Is there anything stylistically that we are missing, or any particular reason to believe that Sean Pablo's style is overwhelmingly better than Danny Renaud's?

Perhaps some may argue that Sean Pablo's style is better than Danny Renaud's, but it would be a difficult argument to make and is not so much better that it could be a clear, objective truth.


So, with all of these things reviewed, we are left to assume that Sean Pablo intentionally performed a One-Down. But what does this mean for the rest of us?

Well, it's actually really great news. It means that next time you go to a spot and want to film a trick, you no longer have to stress out. Everything is fair game. Local homeboy switch tre flipped that gap? Fuck it, do it regular. In fact, you probably don't even need to skate switch anymore. IN FACT, you probably don't even need to skate anymore at all. It doesn't fucking matter.

So next time you're at the bar and Sylvester rolls up on your girl trying to spit game, just remember that for everything he does, you just have to do slightly less and she'll be crawling right back into your arms/bed.

Thank you Sean Pablo.

Did Ronnie Creager Sell My Mom Rodney Mullen vs. Daewon Song Round 2?

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Ok so it was Christmas, 2001, and my parents were presumably looking for a gift to get me. I have to hand it to them in that they usually nailed it with gifts. Nothing ever too crazy, but always thoughtful and something that would get me psyched (if you’re reading this, love you Mom). So - I imagine that my mom walked into the local skate shop and told them that I skate, and asked what she should get me. Here is the insane part.

Whoever happened to be the clerk handed my mom a copy of Rodney Mullen vs. Daewon Song Round 2, Menikmati, and some Tensor trucks. WHO WAS THIS PERSON?

Anyhow - before I get too far into this tangent, needless to say I fell in love with both of these videos. I watched them both incessantly. I made my non-skate friends watch them. I made my parents watch them. I loved every single skater in both videos (even Chet Thomas). BUT there was one person in Rodney vs. Daewon who really stood out. Like, in a profound fashion did not fit. I didn’t have a real grasp on style yet, but I knew there was something about this guy that felt better than the others (except maybe Enrique Lorenzo, but that’s a story for another time). Yes, I’m talking about Ronnie Creager.

[youtube https://www.youtube.com/watch?v=585qZGEhq4U]

(Ronnie's part starts at 3:40)

Man, it still gives me chills. Now don’t get me wrong here, there were tons of great skaters in this video, even in this section. Gideon’s clips are timeless. But when the song changes from a real beat to a sample of a piano line, and Ronnie’s name comes up, something magical happens. I think what really did it was the shove right after the switch noseblunt bigspin. It’s perfect. But it’s also that gray shirt with the blue striped sleeves and shoulders (#kitreport). After watching a few times, something in my stupid, prepubescent brain clicked, Ronnie is also in Menikmati.

So if you haven’t cracked the code on my theory yet, let me break it down for you. Who was the person who sold my mom Rodney Mullen vs. Daewon Song Round 2, Menikmati, and Tensor trucks? Yes, you guessed it. It had to have been Ronnie Creager himself.

Well, maybe it wasn't. Maybe it was some super-fan. Regardless, at the end of the day I discovered one of the greatest skaters on the planet, so I was psyched.

[youtube https://www.youtube.com/watch?v=3BindlDsqqw]

People love to hate on this part, and I honestly think it’s all context. Ronnie’s part, especially to a kid, can be underwhelming when placed amongst guys like McCrank, Arto and Koston. To be honest, though, I loved the part. The half-cab tre flip and full cab flips tripped me up. He was smooth, and skated a lot of low-impact stuff. My kinda guy. Plus I didn’t have to sit through a 5 minute intro. Bonus. Plus I mean LOOK AT THOSE SWEATPANTS. (#kitreport, again)

full cab flip

I guess I’ll just try and continue this autobiographically. About a year or two later I had become the local annoying kid who hangs out at the skateshop all the time. Pretty much everyday after school I’d go hang and watch skate videos. One day I was asking the old, wise sage that worked at the shop what I should buy and he hands me Man Down. He says to me “this is the greatest skate video that has ever been made”. To which I scoffed, of course, having seen Flip’s Sorry. How could anything be better than that?

I get to my house, pop that sucker in the VCR and giver a go.

*tears of joy*

He was right. It was the greatest skate video ever made. And guess what. I was reunited with my boy Ronnie Creager, as he had clips in the friends section. Something I do want to say, though. And Ronnie, if you’re reading this listen up. In Man Down Ronnie does a fakie flip tailslide to bigger spin out. Look Ronnie, you’ve got a bunch of really impressionable kids out there you can’t be doing reckless spins like that without expecting a terrible reaction.

man down

Wait a second are those the same sweatpants??? (#kitreport, again)

So a couple years pass and around 2004/2005 I get wind that Blind is coming out with a new video. Alright, you’ve got my attention. Wait - what’s that you say? Video Days is a hidden easter egg in the DVD? Sold. Fun fact about this: I actually tore out the cover of what if from the DVD and replaced it with my own that said “Video Days”. No idea why I took the time or effort to do that, but I was an idiot, so who knows.

As we know, this ended up being a pretty legendary video. Takeaway parts being Evan Schiefelbine, Jake Duncombe, A̶a̶r̶o̶n̶ ̶A̶r̶t̶i̶s̶, C̶a̶r̶l̶o̶s̶ ̶R̶u̶i̶z̶, Grant Patterson, Corey Sheppard, Jake Brown, and of course, our boy, Ronnie Creager.

[youtube https://www.youtube.com/watch?v=hHGQ1sMeQq0]

This part really plays out almost like a retirement part, even though it’s only 2005 and Ronnie is still crushing it ten years later. First trick in this part, insane ollie body varial off a bump to fence. The thing about Ronnie that I perhaps didn’t realize until later on, is that he’s always been insanely good. You watch his What If? part, and you’re just like “fuck, this is insane”. But then you go back to his Trilogy part, equally insane. Not even at a “insane for the time” level. If you put either Trilogy or even his 20 Shot Sequence part in slightly higher definition, you got yourself a classic part today. I mean, lord knows all the kids are for whatever reason loving the 90s fashion today anyway. #kitreport. But let’s take a moment and reflect on his 20 Shot Sequence part.

[youtube https://www.youtube.com/watch?v=yyKayVNirmc]

Notable occurrences:

  1. Giant fakie frontside flips
  2. Switch flip and frontside flip double set
  3. One of the most insane late flips ever
  4. How to: Switch/Nollie inward heel
  5. Not gonna lie, just the way he rides when he ollies or flips up something switch. woof.
  6. Ermmm that ender?
  7. But the best thing about Ronnie is that he dorks it. You can tell he doesn’t care too much.

Well - I guess that’s all I really wanted to say. Just wanted to spread some awareness and make sure that everybody is keeping Ronnie in mind every day of their precious little lives.

SMLTalk Trivia Night

Alright, so last night we held the first SMLTalk Trivia Night. Thanks again to Orchard, Vans and PBR for hooking it up with the prizes, and to Erik Pickard (@edogpicky) for MCing and also for providing us with an incredible rendition of TK's quote from Baker 3. With that said, let's recap a few of the highlights. 1) Best name went to gratefuldad420@hotmail.com. Some runners up included: Chad Fernandez, SSBSTS, and Laid & Paid Bosses.

2) In case you wanted to listen to the song from Ryan Sublette's part again ;^)

3) Here's the visual round card, let's go over a few things.

SMLTalk-TriviaCard

    a) This is Tony Silva. This is Tony DaSilva.

    b) Pat Channita and Gideon Choi don't look anything alike. Come on people.

    c) VX Lee explaining that he recognized JB Gillet by the arm and the watch was incredible.

4) The forgotten Jamie Thomas part.

5) Shout out to 93 Til Infinity, the winning team, for pretty much smoking everybody, having multiple perfect rounds, and also being a team of 3, aka less than the maximum allowed. Really impressive/terrifying how much people know about skateboarding.

6) Jonjoe had one complaint, and that was that there wasn't enough Biebel. We didn't really have a response, so here's an insanely weird Biebel photo compilation to try and help make up for it.

Thanks again to everybody who was there, and to Rob Collins for taking photos, see you next time!

Never Forget: Jake Brown and the 720

jake-brown-slam-featured.png

Start to finish, a reasonable skateboard maneuver rarely requires more than one second of air time. From flat ground, to smaller gaps, to mini ramp/bowl hucking, to any stair set trick under el toro: you're never really up there for that long. That’s where the mega ramp comes in and seriously fucks up that whole statement.


Just today, I saw that Thrasher posted a video of Elliott Sloan* roasting a 720 across Bob's** very own backyard mega ramp. It was incredible. The video was actually filmed by Bob himself via GoPro, which means he had to air that shit with Elliott while making sure his head remained steady enough to capture it all.

Everything went off without a hitch. At the end however, I got a strange flashback to a moment in skateboarding history that I will never forget: Jake Brown's televised 45 foot fatty to flatty, which was famously preceded by an unheard of 720 across the gap. Much like Elliott, Jake killed phase 1 of his mission.

'720? Easy, no problem.'

Jake Brown 720

Then however, it all fell apart. That 20-foot quarter pipe was waiting for him. It needed him. It needed the air, and so did Jake. Phase 2 had commenced, but halfway through it appeared that Jake needed to abort the mission altogether. Besides maybe Carroll's front tail hang up in Barge, this could be considered the gnarliest slam of all time. Dude was in the air for what seemed like 75 seconds. Then, boom...

Jake Brown slam 1

Did a person just die on national television? Was that person Jake Brown? Am I going to throw up? I thought I was seeing things, but ok, yeah that's right, thanks for confirming, Sal:

"His shoes popped off"

Again, that's right, his shoes popped off. In a moment of complete shock, Sal Masekela spoke directly from the heart, and without hesitation. The people needed to know the truth, and he was there to shine the light. His shoes popped off.

Sal's quote was the main takeaway from this whole ordeal. Think about it: a slam so powerful that a man's presumably tied skateboard sneakers actually popped off of his feet upon impact. A true sight for the ages, I'm talking mythbusters worthy physics here.

But there was however another quote that slipped through the cracks amidst the booming sincerity of Sal's voice. Tony Hawk was on the announcers panel that day, too. He also witnessed the slam of all slams. The fattest to flattest. Most importantly, he too had a profound observation to voice during a moment of crisis the skateboard world had never quite experienced. In what may have been an attempt to break up the dead air that Sal had left us with, Tony takes to the microphone with a glimmer of optimism:

"I can't believe he made that 720"

I couldn't have said it better myself, Tony. These are the moments that turn legends into super legends. Flooded with passion and an undying love for skateboarding, Tony proved to us that no moment is ever too severe not to look on the bright side of things and nerd out over the success of a 720 across the mega ramp.

When the debris settled and the whole world found out that Jake Brown was not, in fact, dead, a collective sigh of relief was heard by all. Tony, however, was still caught in a daze, daydreaming about how sick that 720 looked.

Happy Hawk Week, folks.

Thank you,

-Evan

[youtube https://youtu.be/MoHYxnu7gBc?t=37s]

*very skater

**mega ramp skater

A Look Back: The Original Re-Edit Contest Winner, PJ Ladd's Pro Skater

pj-ladds.png

I was watching some of the winners of the Aaron Herrington re-edits, and they were not bad. Not bad at all. But if I am going to be honest, I just spent the whole time time thinking back to 2004, when éS had what was (as far as I can remember) the first re-edit contest, with PJ’s footage from the infamous “Silence is Golden” part, in Really Sorry. The decision to go sans music was highly criticized, which created the opportunity for the guys at éS/Flip to say “hey, you don’t like what was done, let’s see you do it better yourself”. And they did. I actually entered this contest with a couple friends, with an edit which (though I was proud of at the time) is thankfully not on the internet. But when I saw the winner, I was in utter shock. It was fucked up. Here I was simply taking the clips, rearranging them and throwing a sick* song on over it while somewhere out there was an amateur editor, probably still living at home, capable of turning this part into the fucking Tony Hawk game. It wasn’t fair. I don’t know what this kid won, but it probably should’ve been PJ personally flying to the kids house and giving him a blowjob. Anyway, let’s go over some of the things that made this edit so damn unbelievable.

  1. Loading screen with proper font.
  2. The select screen, which included the entire team, including Cale Nuske (sign of the time) and also had stats which were specifically tailored for each skater. This person was absolutely unemployed.
  3. When selecting PJ, the editor purposely goes past him to look at Koston, and then goes back to PJ.
  4. PJ says “Yeah Scuba, wooo” when you select him.
  5. He makes it so that there are levels that you can select from. In which he chooses LA. Are you fucking kidding me.
  6. Score meter.
  7. Point system with trick combos and multiplier for gaps. Bonus points to this kid for appropriately named sets/gaps/locations.
  8. Balance meter for the nosegrind.
  9. Pause screen. Wait a second, what is happening. You have got to be fucking kidding me there is no way he is changing levels to Boston. Wow. This is the point where he knew he was going to win, and just decided to dickslap everybody right in the face.
  10. Of course he closes it out with the special meter hit, and the switch flip ender.

If I am going to fault the kid on anything it would be that he didn’t use a Powerman 5000 song, but at the end of the day a perfectly forgettable beat is suitable accompaniment for the edit. Enough rambling, enjoy, happy monday, etc.

[youtube https://www.youtube.com/watch?v=kiZdH_L881U]

*not sick

A Look Back: Six Newell

featured-image.png

[youtube https://www.youtube.com/watch?v=T5fXveI-jD8]


Just to be clear this is not a VHS Review because, well, not a VHS. There are some videos out there that just aren’t really like the rest. Your Chomps, Tent City’s, Man Downs, etc. etc. I would put Six Newell in this category. A video with high re-watch value because it not only gives you great skating, but also makes you feel like you’re part of the crew, and SMLTalk staff felt that this deserved to be recognized.

A brief history lesson - Six Newell is the house in San Francisco where this crew lived (it’s the address) The crew consisted of Nate Jones, Matt Milligan, John Barker, Elissa Steamer, Dave Duren, Frank Gerwer, and Peter Ramondetta. Though most of the crew were well-known in the industry, they still felt like the unsung heroes of SF, the ones who really held it down while everyone else was just there for a second to film a hammer. They were legit, and you could tell by the friends section. Everybody wanted a clip, even Ocean Howell, but we’ll get to that later.

A few things to note about this video before we dive in:

  1. Contender for best #spotmodification in a video.
  2. Contender for most pick-up-your-board-and-run-up-stairs in a video.
  3. Rare case of the skating carrying the soundtrack, rather than the other way around.
  4. No names to tell you who is skating. If you can’t tell by the face, you should know by the style.
  5. Nate Jones might have the best backside flip of all time.
  6. Ocean Howell.

Nate Jones

Pop up count 1

Alright, first part, Nate Jones.  King of backside. Back tails, back 180’s, backside noseslides, backside flips, SWITCH backside flips. Specifically wanna talk about this line where he is wearing the long sleeve under the short sleeve. Damn that is the most 2004 look right there. Okay, this part is 99% smooth lines, but in one line Nate just randomly hucks an insane backside 180 down what looks like a 40 stair, washes out back to regular and calls it a day. Fucked. Nate is the first to pop his board up and throw a trick down a set, but I assure you, he will not be the last. I don’t know how long this fence spot was there for, but that back tail is insane. This is the fence where Gonz had the Thrasher cover where they claimed it as a 5-0, but you could tell he was just popping out of a 50-50. That’s what I love about skateboarding, how fucking stupid it is.

Nate Jones

Matt Milligan

Pop up count 2

Okay so here’s the thing. I don’t know who picked the song for this dude (probably him) but I can’t even tell you how mad it makes me. It sounds like when you leave a video game paused or on the opening screen and some dumb fucking beat just loops. Over and over and over. Luckily for the jackass who wrote this song (probably him), Matt’s part is actually really good. He has a killer frontside noseslide, puts a new spin (pun intended) on the pop your board up and run up the stairs, and does possibly the most gangster varial flip noseslide on a ledge. Hood up baby. This part also introduces us to the most insane spot modification ever, at the three up three down in SF. Yes, they turned it into a hip. Last thing I wanna say about Matt Milligan is that he does his frontside bigspins like a front shove revert, something that was only acceptable in 2004. Not before, not after. Strictly in the year of 2004.

Spot modification

Random clip of drunk Dollin? Sure, throw it in the video. Random super 8? Sureee, throw it in the video.

John Barker

Pop up count 3

The best part about John Barker’s part is that this is basically his skate career right here. He has a really good switch flip, skates to a crappy song, and has nice hair. That’s the beauty of this video, though, it’s not about the skating, it’s about the lifestyle, brah. But seriously –

Elissa Steamer

Elissa

Elissa is such a fucking G. Boss switch frontside noseslide, hand completely on the ledge. Love it. There’s nothing quite like having a clip of a hill bomb where the filmer passes you. In all seriousness, though, her part is dope. Gotta love quick 180 up switch flip down.

Friends section

Okay so this probably a runner up for best friend sections all time. Heavy hitters in this one. Pete Eldridge, Ernie Torres, VAN WASTELL (RIP), Keith Huf, Darrell, many others, and, the one and only Ocean Howell (SOTY15).

I really just want to talk about Ocean’s clips in this.


[youtube https://www.youtube.com/watch?v=T5fXveI-jD8#t=933]

^^ Ocean's part at 15:05 ^^


He seriously sent in a solid 45 seconds of footage, which really could’ve (should’ve) been its own part. The one line in Barcelona could be the takeaway from this video. Front 5-0, then backside 270 to tail, back to fakie. Look – at – the – arms - folks. He sold 5,000 pairs of iPaths with that section.

Moving along through the friends section we see some Matt Field footage. Then all of a sudden Matt got really good. Long backside 50-50 on a ledge, pop out super nice. Front tail HUGE pop to fakie, then a giant fakie flip. Wait. No. That was Reese Forbes. Sorry Matt, not sure why they put Reese’s clips right after yours but damn. Tim O’ Connor’s clips are gold and Omar’s ender is insane.

NEXT

Dave Duran

Pop up count 4

If anybody didn’t fit in this video it’s this dude. Knocks the tooth out of a homeless dude. Skates to a song that was used in a 411. Has kind of a weird style. Sets up a shopping cart at the 3 up 3 down #spotmodification. Insane switch mongo. I’m hating too much on this  guy. He is roasting varial flips and actually does one of the better front 5-0 bs shove out mid-ledge I’ve seen. Damn another varial flip. Fakie varial flip. Damn this guy is on another level.  One more board pop up  for good measure, back three down the set this time. Yes.

Pop up count 5

GERWER

Gerwer

Come on. Has there ever been a bad Gerwer part? This dude was the first to kickflip Wallenberg. Whenever I think about that I always feel like he was underqualified for it, but in reality, he’s just a fucking madman and I love him. Okay pop up the board, backside flip down the set. What’s the count on that? Damnit, Mohawk Gerwer was the best. This part is just a reminder that he can do it all. Switch tre? Yup. Straight no comply before all you trend babies were even born? You know it.

Pop up count 6

“aint no woman like the one I got – French toast can make it bettah” – Frank Gerwer

 

Peter Ramondetta

The king of the nose manual nollie flip out at his prime. The thing about Ramondetta is that he was no bullshit. Everybody is popping their boards up and walking up the stairs to skate down the second set. Ramondetta’s not about that. Instead, he gets a piece of plywood to make a euro gap up the first set. Daddy don’t fux with no board pop ups. Oh sheeeeeeet we got a Boston spot. Government center double set, uh yeah, Ramondetta pop shoved that shit. I swear all of these random party clips scattered throughout the video are just Gerwer. I feel like Gerwer was just at the house all the time partying whether or not there were other people there. Getting towards the end of the part Ramondetta does the unthinkable. I actually had to re-watch to make sure I wasn’t seeing things. He does a flatground nollie bs shove. No pop. Yes, boys and girls, if you put your heart and soul into it, you too can go pro. Just kidding, because in reality this dude is a boss, and you are not.

Ramondetta

Credits

Well, that’s it, show’s over. Roll some more random super 8 with an artsy instrumental song. The most Photosynthesis-inspired credits section of all time. The weird thing about this credits section, though, is that it’s not even a credits section. It’s just random clips, and instead of rolling the names now they wait and do it afterwards, with a black screen, so that you definitely don’t watch it. But if you do, you will find the most typos/misspellings. Here are some for your enjoyment:

“Matt Fields”

“Van Wastel”

“Omar Salizar”

“Denis Busenitz” (how on earth do you spell the first name wrong, but get the last name correct?)

“editied by”

Alright so what'd we leave off at for the pop up count? Wait. No fucking way. 6? Like...6 Newell...coincidence? I'll leave that one up to you.

-Dave

Gil Scott-Heron: How to Stand Out

gil-and-nate.png

I was listening to some Gil Scott-Heron the other day, and started doing what I always do when I'm listening to any musician I love - looking up interviews with them. You might know Gil for his career as a singer, songwriter, poet, novelist, activist, perhaps for his title as "the Godfather of rap" or maybe a little closer to home, as the guy whose song was used for Nate Jones' part in Real to Reel ("Gun"). Anyhow, I was browsing youtube and stumbled on this interview: [youtube https://www.youtube.com/watch?v=S6y-yEMLEBk]

I love listening to Gil talk, because even the speech in his regular conversation has a certain rhythm to it. There is a reason aside from personal interest, however, that I'm posting this interview to this particular site, and that's because I think that the point he makes is quite relevant to skateboarding today.

"I can't tell who's singing. That's what really bothers me, is that I don't know who it is. What I like about music and the kind of music that I like is the kind that like, hey, 20 seconds into the tune you know who this artist is because there's something unique about him or her..."

And then...

"It don't have no substance, so you can produce a lot of them very quickly, but they just as quickly lose their flavor. Ya know, just as quickly as something is number 1 this week you never heard of the people next week 'cause there was no substance."

I just think it's funny how no matter what medium you work with or craft you're expertise is in, there are overwhelming similarities and overarching truths that exist simply because of the human condition.

I certainly can't tell you what makes a musician distinguishable from the rest, but I am pretty sure I can tell you what makes a skateboarder stand out. When it comes to skateboarding, all we want is to watch a part that makes us want to go skate. Think about the guys who have been capable of putting out multiple parts like this. Louie, Cardiel, Gonz, Carroll, GT, MJ, etc. etc. you know the guys. So what makes them stand out? Yes of course they are insanely good at skating, but so are all of the "best insta skaters" (I fucking hate even typing that, and I am certainly not going to link some dumb fucking article).

What makes these guys stand out is that we know them. We've watched them grow up, seen the credits sections of the videos, watched them on tour. We've camped with them, partied with them, and been to all of their birthday parties and bar mitzvahs. We know their parents, girlfriends, favorite colors, what pajamas they wear to bed, and that secret spot where they're ticklish.

In a nutshell, maybe the reason why nobody cares about you even though you're insanely good, is because your b-roll consists of you either gripping your board, on your phone, or smoking weed. All things that I am guilty of, but come on, there must be something else that you do to spend your time off the board. I'd rather see a clip of you eating a nice turkey sandwich. I love turkey sandwiches. Get some fresh lettuce on there, a juicy tom, bulky roll, maybe even some avocado. But instead all you do is bore us with your unrelatable skating, and worse yet, your even less relateable supplementary footage.

Anyway, If you're butt-hurt or need consolation, I'll be at the deli.

Dave

RIP Gil Scott-Heron (1949-2011)

Boston Spot Directory Part Deux: Winter Spots

snowboston.jpg

Not to re-hash 97% of what has been said on all local and national news channels regarding the weather in Boston lately, but this winter has been an unprecedented nightmare. Week after week we're continually pummeled by more and more snow, dashing hopes for weekend skatepark commutes and keeping morale among the skateboarding community very low. Many new-comers to Boston and its skate scene often ask the same question this time of year: "If there's no indoor park in the city, where do you guys skate in the winter?"

Well, my dear reader, we're here to blow the lid off all the secret winter spots our fair city has to offer. No longer will you have to wait weeks to fulfill your flat ground urges, below is a tell-all guide to surviving this long and brutal winter. I'd like to issue our readership a "you're welcome" in advance for this, not many websites would be willing to do that for you guys. ;)

window

The Window - There is a rarely a spot more visited during these winter months than the window. Skateboarders often gather here to have a gander at the weather outside, to tell you exactly where they’re going to move so they “never have to deal with this shit again”.

“Yeah dude, I gotta get out of here. Can’t fuckin’ take winter anymore like, I just can’t do it. Like, why am I even here? Do I really need the friends I’ve had my whole life? I need a change in my life dude, maybe I'll join the army, ship out to Afghanistan, I mean it can't be that bad, I'm on a beach year round dude, think about it...”

These are of course, for the most part, empty promises, emotional reactions to the 4 feet of snow seen outside. Rarely do we have the money, foresight, and balls to leave our cozy world filled with Dunkin Donuts', endless pizza places, and of course 3,000 different ledge spots. Maybe next year...but probably not.

model

The Bar - Not that the bar wasn’t a frequent destination when it was warm out, it’s just that the bar is definitely more inviting when it’s cold. You don’t even have to worry about being hungover during the next day’s session, you are DEFINITELY not skating. The excuse you were looking for during Spring, Summer, and Fall is finally here; and it just stays there for months at a time. That won’t stop you from making insane claims about all the gnarly skating you’re going to do when the snow’s gone, you’ll claim now more than ever. The best part? You won’t ever have to prove it. By the time skateboarding outside ever happens again no one will remember you saying how you were gonna even try that handrail, let alone kickflip front board it. It’s ok though, your secret’s safe with me. ;)

brad pitt couch

 The Couch - Not all couches were created equal, and there’s definitely something special about that moment when you find the right one. Whether it’s at your parents house, your very own apartment, or in miracle scenarios, your girlfriend’s apartment, you know one when you see one. And many factors contribute to this anomaly in comfort - girth of said couch, firmness of the cushions, neck support, positioning in relation to the TV, smell (in many cases there are years of farts stored in there - think about it), and material (ever woken up on a sunny afternoon drooling into a leather couch drenched in sweat? yeah, fuck that). Once found, this spot is where you’ll log all of your non-drinking/pornhub hours this winter, likely resulting in the marathoning of subpar television programs you never could have imagined settling for in the midst of summer’s scorch. Oh, Frasier? You’re watching all of that. Multiple times over before the snow even begins to think about melting. Grab a blanket, get some cheez-its, and make damn sure the remote is within arm’s reach, cuz you ain’t going nowhere.

curb

 The Garage - Everybody has one. For decades now, the town square parking garage has become an institution serving skateboarders everywhere during the winter months . In many cases, for whatever reasons, discarded pieces of wood can be found here. Jackpot? Yes. Stack these bad boys on a parking block and you’ve got yourself a 4-inch kicker ramp. And since we’re on the topic… Parking blocks: do you really need anything else? If you are especially lucky however, your town’s garage may have multiple levels. This can only lead to one thing - the spiral. Sure, you might get hit by a car on your way down, but can you really put a price on a good old adrenaline rush, something you probably haven’t experienced in months at this point. Get some, because you probably won’t be skating for weeks after this sesh anyways.

youtube-dog

 YouTube - Yeah, of course utilization of the wireless/data plans goes through the roof for everybody over the icy months of winter, but skateboarders take it in a strange and sad direction. I’m not talking about porn (we already addressed that). The internet can be a dangerous place if you’ve decided to “stay in for the night”, and “just don’t really feel like getting blackout drunk” or any of the thousand excuses you use to cover up your seasonal depression/fear of the cold. All of a sudden you find yourself sitting in front of your laptop with a bottle of bourbon, browsing YouTube for old clips, reminiscing on the good old days. Waking up after a night of nostalgia is more embarrassing than when you look at your phone in the morning and notice a full on conversation with your ex-girlfriend.

booty call

 That Girl You Were Kinda Leading On When It Was Warm, But You Have Nothing To Do Now’s House - Times are really tough when you can’t skate all day with your bro’s and you’ve exhausted the internet’s vast variety of pornography…what else do you even do with your life? That’s when you give “her” a call. You know the one. The one you call when you don’t pull a chick from the bar (you never do).Your 3 a.m. booty call. Your “buzzer beater”. The poor girl who’s so aware of you using her for only sex despite you drunkenly telling her you’re just not ready for a relationship, but when you are, it’ll be with her. Yeah, you chill with her now. During the months of December to late March you hang out with her sober, but insist that you don’t want to put a “label” on what you guys have (which is nothing). You check the weather to find that in the coming week it’s going to be 65 degrees out...it is with a heavy heart you tell her you want to see other people. “But I thought we didn’t have a label?! I thought we weren’t a thing?!” Little does she know “other people” just means guys who ride wooden toys. But what she doesn’t know won’t hurt her...

Drive-Across-the-Country1-685x349

 Google Maps - Summer never ends on the internet. I fucking love Google maps. You can do anything you want. You can walk down the street, go grab a burrito, scope out some babes, go hunting for spots. Anything your little heart desires. In any city! It’s always sunny out, because those little Google cars aren’t to be fucked with in the rain. Not only that, you can plan out trips! Got a buddy in Texas? Maybe you should do a little road trip. SF? Well, maybe hit up Kayak and see how much a flight costs, then survey the landscape on your favorite site, Google Maps. Hm, hopefully the construction at the Union Square rail is done, finna smith dat.

oface

 Work - Same as the bar, this is obviously a place we frequent during the warmer months as well as the cold, the difference being your willingness to actually be there. Your bosses are so impressed by your newfound commitment to your job...working late, coming in early, even forgoing your precious lunch break, you’re the new office stud. Former office stud, Chad, is now super salty about being demoted, his fake niceness around the office has now been replaced with passive aggressive jabs about how “gay” skating is and how much pussy he’s been getting lately (he hasn’t). Calm down, Chad, once the weather gets better you’ll have your precious title back, you fucking suck up. I still don’t care how many beers you drank last night and how hot the chick you took home was, you definitely drank half of what you claimed and you definitely ended up cry-bating on your couch while you watched a Friends marathon.

 

We're sorry if you thought this would actually help you get through winter...not to worry, we only have three weeks left. :)

 

-SMLTalk Staff